HOPE SANDROW

Education: Philadelphia College of Art. Lives and works in New York City and Shinnecock Hills, NY.

SELECTED SOLO EXHIBITIONS and INSTALLATIONS 2007 Web, Southampton Historical Museum, When Dreams Collide Part II: Shinnecock Happening Online Now 2006 – 07 International Projects, PS1/MOMA NYC October – May Southampton Historical Museum, Southampton New York Jan - April 2005 - 06 Project Room, The Contemporary Museum, Baltimore, Md. October 1998 Whitney Museum of American Art Altria /Philip Morris, NYC 1997 University of the Arts, Phila., Pa. 1995 Southeastern Center for Contemporary Art, Winston Salem, N.C. 1991 Grey Art Gallery, New York University. NYC 1989 Gracie Mansion Gallery, NYC 1988 Gracie Mansion Gallery, NYC 1986 *Haggerty Museum of Art, Marquette University, Milwaukee, WI. *Gracie Mansion Gallery, NYC 1984 .Greathouse Gallery, NYC 1983 .Oggi Domani, NYC

SELECTED GROUP EXHIBITIONS 2007 * Call to Action, Artsites, Riverhead, New York 2006 – 07 Windsor onsite Vero Beach Florida December - March 2005 - 06 *The Forest: Politics, Poetics, and Practice, Nasher Museum of Art at Duke University *East Village USA, New Museum of Contemporary Art, NYC *In Response to Place, Boston Public Library, Mass; Bluestar Arts Center, San Antonio Vintage East Village, Hal Brom Gallery, NYC Jan-April 2004 *Crimes and Misdemeanors: Politics in US Art of the 1980’s, CAC, Cinn, Ohio 2003 Immersion, Interfaith Center, New York City 2002 *Aquaria, Landes Museen, Austria 2001-04 *In Response To Place, Corcoran Gallery of Art, Wash.,D.C. Travels nationally thru 2005 2000 *Notion of Motion, Islip Art Museum, NY 1999 Souvenirs: Collecting, Memory and Material Culture, Guild Hall, East Hampton, NY 1998 Bodies in Flux, Weatherspoon Art Gallery, Greensboro, North Carolina 1997 *Rage/Resolution, Hebrew Union College, NYC 1995 *Inside Out, Aldrich Museum of Contemporary Art, Ct. 1994 *Tradition and the Unpredictable, The Museum of Fine Arts, Houston 1993 *The Subject of Rape, Whitney Museum of American Art, NYC

1992 *Dirt & Domesticity, Whitney Museum of American Art , Equitable Center

1991 *The Art of Advocacy, Aldrich Museum, CT.

1990 *Day of the Dead, Alternative Museum, NYC

1989 *The Photography of Invention, National Museum of American Art, Washington, DC. Travels to: Museum of Contemporary Art, Chicago; Walker Arts Center, Minnesota

COMMISSIONS and SPECIAL PROJECTS 2007 Southampton Historical Museum, When Dreams Collide Part II: Shinnecock Happening Online Now 2006 – 07 PS1/MOMA, Shinnecock: godt tegn, directed by Alanna Heiss Southampton Historical Museum, When Dreams Collide: Lifde, Art and the Pursuit of Happiness New York State Preservation League, Seven to Save: Gissa Bu 2005 Contemporary Museum, Baltimore, Md. Observational Findings: Mt. Vernon Park Alannah, Hillary and Galen Weston, Untitled Observations, Windsor 1999-2001 Andy Grundberg, In Response to Place, Komodo National Park, Indonesia 1995 Art at the Anchorage, Creative Time, NYC 1994-95 Artist in the Community, Southeastern Center for Contemporary Art 1993 The Other Side of the Rainbow, a collaboration with artist Robin Tewes 1992 Flag for the Nineties, Vera List, NYC. 1991 New York Foundation for the Arts, Artists New Works Program 1990 Homeless Artist, Project Page for Artforum, Summer Issue repros pages 120-121 Founded Artist & Homeless Collaborative 1989 Aerial Magazine, Washington, D.C. repros 1988 DIA Art Foundation,repros Publication Covers, New York 1987 Dakis Joannou, Athens, Greece 1986 Adriana and Robert Mnuchin, NYC

SELECTED MUSEUM and PUBLIC COLLECTIONS Baltimore Museum of Art Corcoran Gallery of Art Henry Art Gallery Houston Museum of Fine Arts Metropolitan Museum of Art, NY Museum of Modern Art, NY New School for Social Research Whitney Museum of American Art, NY

SELECTED PRIVATE COLLECTIONS Eli Broad Foundation Henry Buhl Foundation

C. B. Engelhard Foundation Agnes Gund Dakis Joannou Vera List Adriana and Robert Mnuchin West Family Collection Weston Collection

AWARDS, FELLOWSHIPS, GRANTS

SELECTED BOOKS & CATALOGS Investigations: Face to Face, Institute of Contemporary Art, Philadelphia, PA, 1984 Neo York, University Art Museum, University of California at Santa Barbara, CA, 1984 Directions 1986, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Press, 1986 Hope & Fear, essay by Ben Lifson, Gracie Mansion Gallery, 1986 Painting and Sculpture Today, Indianapolis Museum of Art Biennial, 1986 Contemporary Diptychs: Divided Visions, Whitney Museum of American Art, 1987 Photography on the Edge, Haggerty Museum of Art, Marquette University, MI. , WT, 1988 American Photography of the Eighties, National Museum of American Art, Washington, DC, 1989 Sequence (Con)Sequence, Blum Art Institute, Bard College, NY, Aperture Press, 1989 Readings in Contemporary Poetry, Dia Art Foundation, 1988. Cover photographs Fantasies, Fables, and Fabrications, Herter Art Gallery, Amherst, MA. l989 Dia De Los Muertos/Day of the Dead, Alternative Museum, NYC, 1990 The Art of Advocacy, Aldrich Museum, Ct. 1991 p. 9 The Subject of Rape, Whitney Museum of American Art. 1993 Tradition and the Unpredictable, Museum of Fine Arts, Houston. 1993 repros The Spirit of Art as Activism, Bay Press. 1994. pp 251 - 282 repros Fragments: Self / History; Hope Sandrow, SECCA 1995 Hope Sandrow: Water Life, Whitney Museum of American Art 1998 In Response to Place, Bullfinch Press, 2001 p. 21, pp. 148 – 157, color repros A Creative Legacy, The National Endowment for the Arts, 2002, repro. P. 197 Aquaria, Landes Museen, Austria, 2002 P. 15 color repro p. 216 East Village USA, New Museum. 2004 p. 22 The Forest: Politics, Poetics and Practice. Nasher Museum, Duke University. NC. 2005 repros Observational Findings: MT Vernon Park, Contemporary Museum, Baltimore 2005 repros

SELECTED LECTURES, WORKSHOPS, PANELS University Art Museum, Santa Barbara, guest speaker on panel, November 1984 Bard College, Rhinecliff, NY, guest lecturer, July 26, 1985 Hirshhorn Museum, New Vistas, panel, March 1986 Haggerty Museum, Milwaukee, guest lecturer, September 1986 Whitney Museum of American Art at Equitable, guest lecturer, Dirt & Domesticity, June 1992 Thread Waxing Space, NYC. Artists Speak the Visual Language of Survival. 1994 Williams College, Williamstown, Mass. guest speaker. Feb 13, 1995 Bard College, Center for Curatorial Studies, Conversations, guest speaker. March 1, 1995 Cooper Union, NYC. guest speaker. March 29, 1996 Weatherspoon Art Gallery, NC. Artist's panel, September 1998 Scottsdale Museum of Contemporary Art, guest lecturer, October 2003 Chicago Cultural Center, Artists and Critics Panel, January 2004 Bluestar Arts Center, guest speaker, September 2005

SELECTED PUBLICATIONS Bob Colacello, James Brady, Interview, 1980, p. 34 repro Colin Westerbeek, New York Review section, Artforum, March 1980, p.73 repro Carlo McCormick and Walter Robinson, Slouching Toward Avenue D, Art in America Summer 1984, pp.151 repro Nicolas Moufarrege, The Year After, Flash Art, Summer 1984, p.55 Betsy Sussler, Bomb, Spring 1984, p.48 repro East Village, Paris Free Voice, February 1985 repro

P.C. Smith, Election Issues: A timely artistic response, Arts, Nov. 1984, pp.126-7 repro

J.W. Mahoney, The East Village Sampler, New Art Examiner, April 1985, p.61 repro Nicolas Coleman, Urban Textures, Washington Post, January 1, 1985, p.B7 repro Photographs by Hope Sandrow, Appearances, Fall 1984 repro Pamela Kessler, "Going Off in All 'Directions" Washington Post Weekend Section Museum & Dealer Catalogues, The Print Collector's Newsletter, May/June 1986 repro Leone Lawrence, ARTNEWS, Reviews: Directions 1986, April 1986, pp.144-5 Books and Catalogues Received, The Photo Review, Spring 1986, p.19 Liz Lufkin, The Multiple Image Approach, San Francisco Chronicle, June 21, 1987, p.13 Vince Aletti, Photography Choices: Group UFO ,Village Voice, Nov. 10, 1987, p.49 Andy Grundberg, From New Talent, Bold New Images, New York Times, Nov. 13, 1987, pp.Cl, C23 Robert Mahoney, Reviews: Group-UFO, Arts, Jan. 1988, p.110 repro Bill Jones, Born Again, Seeing the End of Photography, Arts, October 1989, pp. 72-77 repro Estelle Jussim, The Cutting Edge, Boston Review, October, 1989, p. 5 Vince Aletti, Voice Choice, Village Voice, Oct. 10, 1989

P.C.

Smith, Hope Sandrow, Art in America, April, 1990, pg. 264 repro Robert Atkins, Art as Shelter, Village Voice, Nov. 27, 1990 Robert Mahoney, Second Day Without Art, Flash Art, November/December 1990, pp. 177, 1992 Lucy Bowditch, Changing New York, Photography in New York.pp.6. Elizabeth Hess, No Place Like Home, Artforum, October 1991, pp. 95-98 repro Elizabeth Hess, Village Voice, The Subject of Rape. July 13, 1993. page 82

P.C.

Smith, Complex Visions, Art in America, March 1993, pp. 66-75. repro Exhibition Highlights in 1993, Art in America Annual, Summer 1994 Kim Levin,Voice Choices, Village Voice, Dec 20, 1994. Grant Kester, Aesthetic Evangelists, AfterImage, January 1995. pp. 5-11, repros Roberta Smith, New York Times, Anchor and Balm for Restless Souls, pp. C1 & C22. Weekend, Aug. 4, 1995 Kim Levin, Village Voice, Voice Choices, Affirmative Actions: Artists at Work, July 18, 1995 Vince Aletti, The Village Voice, Voice Choices, Hope Sandrow, October 16, 1997 Sunday New York Time's Arts & Leisure Guide, b&w repo. July 26, 1998 repro Whitney Scott, New York Post, Must Picks of the Weekend, repo. Aug. 15, 1998. p 27 repro Vince Aletti, Village Voice, Voice Choices Short List, August 18, 1998. p 69 New Yorker, Goings On About Town. August 24 & 31, 1998. p 32 Tom Patterson, Winston- Salem Journal, Building on the Body, August 16, 1998. p. E3 repro Dispatch, Photographic perspective displayed at Weatherspoon Art Gallery, July 23, 1998 repro Erica Lynn Gambino, Southampton Press, Installation's Imagery Informed by Tidal Drama, Sept.10, 1998.repo's B1-6 repro Roberta Smith, New York Times, Weekend Art in Review, September 11, 1998. p E38 Jeffrey Kastner, ART News, Branching Out, November 1998. p. 140, repro Walter Robinson, ARTNET, August 13, 1998 cover color repro & review Liza Kirwin, Artforum, EV in the Press, October 1999, p. 127 Erica -Lynn Huberty, The Southampton Press, Guild Hall Offers an Art and Memory Sampler, Dec. 9, 1999, p. B7 Mary Cummings, The Southampton Press, Artist Strives To Express the Inexpressable, May 4, 2000, pp. B1, B6 repro Roxanne Roberts, The Washington Post, Preserved on Camera, and on the Planet, Sept. 11, 2001 Michael O’Sullivan, The Washington Post, Putting “Great Places” In Their Place, Sept. 28, 2001, PWE49, repro. Frank Van Riper, Camera Works, Washington Post, November, 5, 2001 Robyn Russo, The Hoya, Discovering the World’s Secret Spots, Sept. 28, 2001 Judy Wagonfield, Seattle Post- intelligencer, Photo Exhibit depicts 12 ‘last great places’, August 22, 2002 Craig Wallach, Phoenix Times , New Exhibit hails the beauty of nature, September 4, 2003 Jerry Stein, The Cincinnati Post, Art of ‘80’s makes political statement at CAC, Dec 8, 2003 Victor Cassidy, Artnet February 22, 2004, repro Artdaily.com, Crimes and Misdemeanors: Politics in US Art of the 1980’s, September 22, 2004 Joe Dirosa, New York Artist Series, East Village USA, January 21, 2005 Wendy Ward, Baltimore City Paper, Critics Picks, May 4, 2005. “Eureka” Mark Feeney, The Boston Globe, Examining nature’s beauty with bold visions”, August 3, 2005. Michele Natale, New Observer, Nasher show probes man-earth links, October 30, 2005. Ambrose Clancy, Southampton Press, Town and Developer Strike Deal, August 24, 2006 repros Ambrose Clancy, Southampton Press, Hidden Away, September 14, 2006 Ambrose Clancy, Southampton Press, Only Two of Historic Plots will be Saved, Sept 28, 2006 Mary Cummings, Southampton Press, A walk in the woods brings a welcome surprise for artist, January 18, 2007 repros Jess Frost, East Hampton Star, Recalling an American Dream, February 1, 2007 repros

Valerie Cotsalas, New York Times, Seeking to Preserve Eccentricity, March 4, 2007 Pat Rogers, Southampton Press, Cultivating Ideas on Environmental Art, May 13, 2007 Benjamin Genocchio, New York Times, Digging in to Nurture Nature, May 20, 2007

SELECTED INTERNATIONAL PUBLICATIONS Francis Granon, Photos sur Canapes, Telerama, 1/30/85, Paris, France Patrick Roegires, Trois Jeunes Artistes Americains,Revolutions, Paris, France Katherine Texier, New York Creation: Effervescences, Autremont, 1984, Paris, France Maria Nadotti, Arrivano gli Americani, publication unknown, Italy. -------, New York, Juliet, Oct./Nov. 1985, p.29 -------, East Village, The Paris Free Voice Feb. 1985 Andrea Muller-Pohle, reproductions, European Photography, July/August/September 1986 repro Grazia Quaroni, New York. Le donne dell’arte, Marie Clair (Italian), October 1991, pp.123-131 repros Von Andreas Holl, Frankfurter Rundschau, Gepinkelt wird im Stehen, June 11, 2000